Traditional Myanmar lacquerware, or Yun De, is one of the country’s most famous handicrafts.
The tradition is believed to have started in Bagan in the 12th or 13th century but local interest in the practice is slowly fading.
Usually applied to wood or molded bamboo strips, the work is difficult and time-consuming, involving teamwork and many steps.
First, the craftsmen must split the bamboo and mold the strips into the desired shapes.
Then they polish the shapes with a black sap from the Thit-Si tree and let it dry for about a week. They then apply a few more coats, each time adding sawdust, cotton fibers or crushed animal bones to the sap and waiting for another week.
Once all the coats have been applied and allowed to dry, artists draw floral designs by hand using needles in a practice called Pan Yun. Then come the colors are applied.
Traditional Myanmar lacquerware typically employs only three colors; red, blue and green. Some shops also use gold paint, raising the price of the ...
The Roman Ruins of Ancient Minturnae at Minturno
The archaeological site of ancient Minturnae, located near the modern town of Minturno in southern Lazio, Italy, along the right bank of the Garigliano River (ancient Liris), represents a strategically vital Roman colony and port city on the Via Appia.
Originally settled by the Aurunci (or Ausones), an Italic tribe, the site was captured and destroyed by the Romans in 314 BC during the Second Samnite War, then refounded as a Roman castrum and maritime colony in 295 BC to secure control over the coastal route between Rome and Campania. Its position near the river mouth facilitated trade and naval access, making it a prosperous commercial hub.
Minturnae gained historical fame in 88 BC when the exiled general Gaius Marius hid in nearby marshes from Sulla’s pursuers before escaping by sea.
The colony was renewed under Augustus and significantly expanded by Hadrian in the 2nd century AD, with new public buildings reflecting imperial investment. The city ...
The Amphitheatre of Capua: Ancient Rome’s Second Greatest Arena and Birthplace of Spartacus’ Revolt
The Amphitheatre of Capua (Anfiteatro Campano), located in the modern town of Santa Maria Capua Vetere in Campania, Italy (about 25 km north of Naples), stands as one of the most significant Roman amphitheatres outside Rome.
Often overshadowed by the Colosseum, this structure is widely regarded as the second largest Roman amphitheatre (after the Flavian Amphitheatre in Rome) and possibly the first permanent stone amphitheatre built by the Romans, dating to the late 1st century BC with major expansions under Augustus, Hadrian, and Antoninus Pius in the 2nd century AD.
Its elliptical design—measuring approximately 170 x 140 meters—closely mirrored what would become the Colosseum, leading historians to suggest it served as a direct architectural model.
Ancient Capua, once one of Italy’s wealthiest and most influential cities (dubbed “Altera Roma” or “another Rome” by Cicero), thrived as a hub...
The Archaeological Site of Paestum: Ancient Poseidonia’s Magnificent Greek Legacy
Paestum, located in the Campania region of southern Italy about 85 kilometers southeast of Naples in the modern comune of Capaccio Paestum, stands as one of the most extraordinary surviving examples of ancient Greek colonization in Magna Graecia.
Originally founded around 600 BC by Greek settlers from Sybaris as Poseidonia—named after the sea god Poseidon—the city quickly flourished into a prosperous trading and cultural center on the Tyrrhenian coast, benefiting from fertile plains and maritime access.
Conquered by the indigenous Lucanians around 400 BC, who renamed it Paistom, the city retained much of its Greek character while adopting local influences, evident in vibrant painted tombs from this era.
In 273 BC, it became a Roman colony under the name Paestum, receiving new public buildings like a forum, amphitheater, and roads, though the iconic Greek temples remained revered.
Prosperity continued into the ...
