Sitting on an area of almost three acres, the museum sits next to a beautiful lake on the Wat Yansangwararam temple complex. The museum, which is also known as Wihan Sian or Anek Kuson Sala houses one of the best Chinese art collections in Thailand.
The Viharn Sien is a beautiful Chinese temple South of Pattaya now in use as a museum. The museum houses a unique collection, which is believed to be one of a kind outside of China.
It is made up of a three story central building and a number of pavilion halls. The Viharn Sien is built in elegant Chinese style with the real attractions inside the building. This museum is one of the best places in Asia outside of China to see some priceless and rare Chinese artifacts and antiques.
Some very unique items like a number of figures of terracotta warriors and horses, chariots from the tomb of Emperor Qin Shi as well as a golden throne can be viewed.
This is one of the very few places where a terracotta army like this can be seen, especially outside...
Chorsu Bazaar stands at the heart of Tashkent’s old city, a living marketplace whose name, drawn from Persian, evokes the crossroads and four streams that once guided Silk Road caravans through Central Asia.
For centuries this site has drawn merchants, artisans and travellers, its trading activity continuous since at least the medieval period and firmly established under the Timurids when Tashkent flourished as a vital stop between East and West. Domes were raised in the Shaybanid era to shield goods from sun and dust, and the bazaar remained the commercial and social core of the city’s four traditional quarters long after the Russian conquest divided Tashkent into old and new.
The devastating earthquake of 1966 levelled much of the earlier fabric, yet the market’s spirit endured. In 1980 architects Vladimir Azimov and Sabir Adylov completed the present complex, a late Soviet modernist landmark whose vast turquoise dome, nearly eighty metres across, rises above concentric trading floors and...
The Minor Mosque rises as one of Tashkent’s most memorable modern landmarks, a radiant white marble structure set along the banks of the Ankhor Canal in the Yunusabad district.
Work began in the summer of 2013 under a presidential decree from Islam Karimov, and the building was finished in a little more than a year. On October 1, 2014, just before the holiday of Kurban Hayit, the president attended the formal opening, giving the city a major new spiritual center that soon became one of the largest and most visited mosques in Uzbekistan.
Its name comes from the Uzbek word for minaret, a natural reference to the twin thirty-eight meter towers that frame the main facade. Unlike the historic brick mosques that shape so much of Central Asian architecture, the Minor Mosque is completely covered in pure white marble.
The surface catches the light and gives the entire building a soft, luminous quality, while its broad turquoise dome seems to melt into the sky on clear days. The design blends traditional ...
At Chorsu Bazaar in the heart of Tashkent’s Old City, the bread section stands as one of the market’s most sensory and deeply local experiences.
Located to the left or northern side of the iconic blue-domed hall, this area draws both residents buying their daily non and curious visitors following the warm, toasty aroma that rises from traditional clay tandoor ovens.
Bakers begin work before dawn, shaping dough into rounds, pressing distinctive geometric patterns into the centers with wooden stamps known as chekich, and then skillfully slapping the loaves against the blistering inner walls of the ovens. Minutes later they pull out golden, fragrant bread with crisp edges and soft interiors, stacking them into tall patterned towers that locals tap lightly to test freshness before purchasing.
The selection reflects Uzbekistan’s rich regional bread culture. Classic obi non appears as the everyday round flatbread with a thinner center and raised rim. Thicker Tashkent-style patyr or patir non ...
