Wat Chaiyo or Wat Ket Chaiyo was built during the Ayutthaya Period. It became important during the reign of King Rama IV. The venerable Somdet Phra Phutthachan (To Phromrangsi) of Wat Rakhang Khositaram built the large Buddha image in a subduing Mara gesture and placed it outdoors. However, the image collapsed soon after construction. He re-built it in the same pose but smaller, covered it in plaster and without gold leaf. As the image could be seen from far, the villagers called it Luangpho To (meaning huge image). Further temple restoration during the reign of King Rama V the Buddha image collapsed again. The King ordered the renovation of the image with steel bars inside. The new image was covered in gold leaf and monks’ robes and was given the new name by King Rama V the Great “Phra Maha Phutthaphim”. A new main chapel was constructed to house the image. Upon completion, King Rama V the Great established the temple as one of the royal temples.
To pay respect to Luangpho ...
The Artist House, also known as Baan Silapin, and the surrounding Khlong Bang Luang area represent a preserved slice of old Bangkok’s canal-side heritage in Thonburi on the western bank of the Chao Phraya River.
Khlong Bang Luang, historically part of an ancient waterway network that once formed a bend in the Chao Phraya River during the Ayutthaya period, served as a vital route for trade, transportation, and daily life, connecting communities with wooden stilt houses, temples, and markets.
During the Thonburi era and into the Rattanakosin period, the canal thrived with goldsmiths, merchants, and residents whose livelihoods revolved around the water. Over time, as Bangkok modernized with roads and urban development, many canals declined, residents moved away for city jobs, and traditional wooden homes fell into disrepair, leaving the area quiet and somewhat forgotten.
The Artist House itself is a roughly 200-year-old two-story teak wooden structure, originally a family home and grocery-gold shop ...
The Luang Pho Luang Buddha image stands as a majestic landmark in the Bang Pahan district of Ayutthaya, set within peaceful grounds that blend spiritual reverence with the everyday rhythms of rural Thai life.
This enormous statue, often referred to locally as the principal or “great” image associated with the nearby Wat Nak area, rises prominently amid a working mango plantation where neatly trimmed hedges frame pathways and ample parking accommodates visitors drawn to its serene presence. Unlike traditional temple complexes crowded with multiple structures, this site emphasizes open space and natural surroundings, creating an intimate yet awe-inspiring atmosphere for merit-making and quiet reflection. The grounds, with their lush mango trees and thoughtful landscaping, evoke a sense of harmony between devotion and agriculture, typical of many lesser-known sacred spots in the historic province.
Luang Pho Luang, formally known in connection with names like Phra Phutthaphawanachai Mongkol, is ...
Wat Khuha Sawan Worawihan, also known as Wat Khuha Sawan, stands as a serene and historically rich Buddhist temple on the Thonburi side of Bangkok in Phasi Charoen District.
This third-class royal temple of the worawihan type belongs to the Mahā Nikāya sect and is nestled along Khlong Bang Luang, offering a peaceful retreat amid the city’s bustle. Its origins trace back to the late Ayutthaya period, when it was originally known as Wat Sala Si Na, or the Four-Fronted Pavilion Temple, named for its distinctive chatumuk pavilion that served the local community. Though the temple’s exact founder remains unknown, it has endured through centuries as a sacred site.
The temple received its formal wisungkhamsima sacred boundary in 1777 during the Thonburi era. In the early Rattanakosin period, King Rama I graciously ordered a comprehensive restoration of the entire complex, including the ubosot ordination hall, preaching hall, and pavilion. He elevated its status to a royal temple and renamed it ...
